Saturday, March 16th
Preliminary Round of the Collegiate and Youth Guitar Competitions hosted by the Great Lakes Guitar Society (GLGS)
Saturday, March 14th
Location: The Louis P. Ciminelli Recital Hall
Inside Rockwell Hall, 1300 Elmwood Avenue, Buffalo
9:00AM - 5:30PM
Warm up space will be provided for all competitors. Please check in 30min prior to competition time.
If you have any issues please contact us at greatlakesguitarsociety@gmail.com
Preliminary Round Schedule
Collegiate Competitoin: 9:00AM - 2:30PM
Youth Competition: 3:00PM - 5:30PM
Seconda Prattica Composition Competition
Second Round: 9:00AM - 2:30PM
Youth Orchestra Rehearsal
Saturday, March 14th
Location: The Louis P. Ciminelli Recital Hall
Inside Rockwell Hall, 1300 Elmwood Avenue, Buffalo
10:00am - 12:00PM
Conducted by Ricardo Saeb, the youth orchestra will be comprised of students from the Buffalo area as well as participants in the GLGS Youth Competitions. The orchestra will be providing the opening performance of the Saturday night concert.
If you have any questions regarding the Youth Orchestra, please feel free to contact us at greatlakesguitarsociety@gmail.com
Sergio Assad Master Class
Saturday, March 14th
Location: The Louis P. Ciminelli Recital Hall
Inside Rockwell Hall, 1300 Elmwood Avenue, Buffalo
12:00PM - 3:30PM
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After sharing his expertise with us the night before, Maestro Assad will be applying his abundance of guitar literature to performers in this public masterclass.
Composition forum: The Guitar in Negotiations of Spanish National Identity 1920-1930
Saturday, March 14th
Location: TBA
Inside Rockwell Hall, 1300 Elmwood Avenue, Buffalo
4:00PM - 5:30PM
Presenter: Anthony LaLena
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Description: During the Spanish Silver Age (1898-1936) the very cultural and political foundations of the Spanish nation were challenged by a succession of unstable and contentious governments, regional factionalism, and a loss of empire that prompted philosophical debates over the essence of Spain. As intellectuals and politicians debated about Spain’s true essence, composers constructed their visions through historical retrospection, the use of folk music, and the adoption of foreign compositional techniques. During this era the guitar became an even more powerful symbol of Spanish identity as flamenco music and the classical guitar garnered international esteem; yet most musicological research on the Spanish Silver Age prioritizes issues of exoticism in the orchestral works of Manuel de Falla. As a result, there is a surprising lack of critical engagement with the guitar works of this era even though the instrument provides perhaps the most fruitful medium through which to musically analyze the complex negotiations of Spanish identity. This lecture-recital contextualizes musical aesthetics with the sociopolitical negotiations over Spanish national identity through a critical analysis of folkloric and avant-garde musical features in the first guitar works of prominent non-guitarist composers such as Adolfo Salazar, Rodolfo Halffter and others. The guitar functioned as an ideal medium through which to express Spanish identity precisely because of its ubiquity in Spanish culture. I argue that Spanish composers had to directly engage with the negotiations over national identity when writing their first pieces for such a volatile instrument in an equally volatile socio-political landscape.
Composition Forum “The Golden Mean” - The Fibonacci Sequence in Musical Form
Saturday, March 14th
Location: TBA
Inside Rockwell Hall, 1300 Elmwood Avenue, Buffalo
5:30PM - 6:30PM
Presenter: Orlay Alonso
Evening Concert Performance
Saturday, March 14th
Location: The Louis P. Ciminelli Recital Hall
Inside Rockwell Hall, 1300 Elmwood Avenue, Buffalo
Pre-concert Reception
6:30PM - 7:30PM
Concert
7:30PM - 9:30PM
Jeffery Mcfadden and Ken Meyer
Concert programs performed by critically acclaimed artists Jeffery Mcfadden and Ken Meyer.